Felix Salzer was a student of Hans Weisse (who was a student of Heinrich Structural Hearing is an important book, but I would strongly. Structural Hearing Tonal Coherence in Music, Two Volumes Bound as One. By Felix Salzer Clothbound Textbook Item: $ Add to Cart. Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker’s work. Developing and extending.

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Structural Hearing: Tonal Coherence in Music – Felix Salzer, Professor Felix Salzer – Google Books

Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music. My library Help Advanced Book Search.

Fundamentals of Musical Acoustics: Salzer, in expanding and formulating anew many of Schenker’s ideas, has embarked upon a systematic approach. Tonal Coherence in Music Structural Sa,zer It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor.

Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky.

This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance.

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Heinrich Schenker’s great contribution was the discovery of fundamental principles of tonal organization, continuity, fekix coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.

Salzer, in expanding and formulating anew many of Schenker’s ideas, has embarked upon a systematic approach. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor.

Structural Hearing: Tonal Coherence in Music

Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools structugal the analysis of music.

Using the concept of chord functions as a basis, he structurak sharply between chord grammar or labeling and significance, showing that function rather than the ordinary label is really significant. Tonal Coherence in Music By: Felix SalzerProfessor Felix Salzer.

Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker’s work.

Tonal Coherence in MusicVolume 1. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis Other editions – View all Structural Hearing: Heinrich Srructural great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. Dover Publications- Music – pages. Product Description Product Details Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker’s work.

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Read, highlight, and take notes, across web, tablet, and phone. Tonal Coherence in Music Add to Wishlist.

In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.

Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky.

Using the concept of chord functions as a basis, he differentiates sharply between chord grammar or labeling and significance, showing that function rather than the ordinary label is really significant.

Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. Account Options Sign in. No eBook available Amazon.